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Laurel & Hardy Double Bill


Laurel & Hardy Double Bill: Sons of the Desert & County Hospital One night only Two timeless classics for all film buffs Only in SGC Cinema On their actual 125th anniversary Day Tue 16th June @ 8.30pm

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Stage to Screen 2015 Season @ SGC Dungarvan Cinema

 

 

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The Impressionists
Runtime:90mins       Rating:TBC

From Paris, London and the USA. They are the world’s most popular artists. The works of Cezanne, Monet, Degas and their compatriots fetch tens of millions of dollars. But just who were they really? Why and how did they paint? What lies behind their enduring appeal? To help answer these questions, the film has secured unique access to a major new exhibition focussing on the 19th century Parisian art collector Paul Durand-Ruel, the outspoken champion of Impressionism. This eagerly anticipated exhibition is perhaps the most comprehensive ever held about the Impressionists.


Note: Times shown in RED are sold-out.

Tuesday 26 May

 

Royal Opera: La Boheme (Live)
Runtime:155mins       Rating:LIVE

A lost key and an accidental touch of cold hands in the dark - so begins one of the greatest romances of all opera. Anna Netrebko and Joseph Calleja star in the live cinema relay. When Rodolfo, a penniless poet, meets Mimi, a seamstress, they fall passionately in love. But their happiness is threatened when Rodolfo learns that Mimi is gravely ill. Rodolfo, painfully aware that he cannot afford the medicine and care Mimi needs, separates from her. At the end of her life Mimi returns to Rodolfo's garret. They ecstatically embrace - but, despite the care of Rodolfo and his friends, Mimi dies.


Note: Times shown in RED are sold-out.

Wednesday 10 Jun

 

Laurel & Hardy Double Bill: Sons of the Desert & County Hospital
Runtime:87mins       Rating:TBC

It's time to introduce the next generation to Laurel and Hardy. To coincide with the 125 year anniversary of Stan Laurel's birth, we’re hosting a fantastic double bill featuring Sons of the Desert (1933) and County Hospital (1932).

Sons of the Desert
As members of the fraternal organisation Sons of the Desert, the boys are sworn in to attend the annual convention in Chicago, but realise they will need to somehow trick their wives into letting them go. The only way out is to come up with a subterfuge for the wives - and Ollie's plan is to have Stan bring a doctor, and bribe him to pretend Ollie needs convalescence in Honolulu.

County Hospital
With nothing else to do, Stan pays banged-up Ollie a visit in the hospital, bringing a gift of some hard-boiled eggs and nuts, which he proceeds to eat himself.


Note: Times shown in RED are sold-out.

Tuesday 16 Jun

 

Take That Live from the O2
Runtime:120mins       Rating:LIVE

Take That, the UK’s most successful live act ever, brings their acclaimed new show live to cinemas on 19 June and direct from London’s iconic O2 arena. Captured in stunning HD and with incredible Surround Sound, this is an extraordinary opportunity for fans who have not had access to the live show (and for the many who already have) to experience the concert from the best seat in the house. Chart-topping and award-winning band Take That is defined by some of the most memorable and spectacular live productions in UK music history and this show is certainly no exception. A wonderful explosion of colour, featuring everything from dancing jellyfish, beautifully choreographed puppetry and a contemporary dance routine performed by Mark and Howard to a flying tandem sidecar that soars out over the crowd, a burning globe, pyros, fireworks and indoor rain. Get ready for it…


Note: Times shown in RED are sold-out.

Friday 19 Jun

 

A Midsummer Night’s Dream (Recorded)
Runtime:148mins       Rating:TBC

From the director of The Lion King, Julie Taymor (Frida, The Magic Flute), comes a cinematic experience of the much heralded and sold-out production of Shakespeare's "A Midsummer Night's Dream" with music by Oscar winning composer Elliot Goldenthal (Frida, Heat), cinematography by Rodrigo Prieto (Birdman, Wolf of Wall Street) and stellar performances by David Harewood, Tina Benko, Max Casella, and Kathryn Hunter.
The director who redefined spectacle on Broadway... has now given New York a Midsummer Night’s Dream that doesn’t so much reach for the heavens as roll around in them ... For Ms. Taymor, the sky is not the limit it’s a supple canvas to be stretched and bent to the whims of the imagination - New York Times.


Note: Times shown in RED are sold-out.

Sunday 21 Jun

 

ENO: Carmen (Live)
Runtime:165mins       Rating:LIVE

English National Opera: Carmen (LIVE) by Bizet

Probably the most popular opera in the world. Carmen scandalised its earliest audiences with its raw depiction of lust in 19th-century Seville. In ENO's popular production, the action is a full-on battle of the sexes, fought out in the arena of the Spanish bullring.


Note: Times shown in RED are sold-out.

Wednesday 01 Jul

 

Royal Opera: William Tell (Live)
Runtime:240mins       Rating:LIVE

Damiano Michieletto makes his UK debut with a new production of Rossini's final opera and greatest masterpiece. The Swiss hero William Tell longs to liberate his people from the cruel Austrian occupation. When he helps a Swiss prisoner escape Austrian justice he comes to the attention of the governor Gesler - who sadistically forces Tell to shoot an apple off his son's head. As Tell is arrested his fellow revolutionaries, led by the young patriot Arnold and his Austrian lover Mathilde, gather forces to fight for Swiss liberty. Tell escapes in time to lead the victorious uprising.


Note: Times shown in RED are sold-out.

Sunday 05 Jul

 

Fare Thee Well: Celebrating 50 Years Of Grateful Dead
Runtime:240mins       Rating:LIVE

CinemaLive, Peter Shapiro, and Madison House are thrilled to bring Fare Thee Well: Celebrating 50 Years of Grateful Dead to the big screen for an unprecedented cinema event on Monday 6th July.This epic event, broadcast from Soldier Field in Chicago on Sunday 5th July*, will take place nearly 20 years to the day of the last Grateful Dead concert with Jerry Garcia. The four original members — Mickey Hart, Bill Kreutzmann, Phil Lesh and Bob Weir — will be joined by renowned musicians Trey Anastasio (Phish and the Trey Anastasio Band), Jeff Chimenti (RatDog, The Dead and Furthur), and multiple GRAMMY®-winner Bruce Hornsby.For one night only, this final concert will be broadcast via satellite worldwide and will be the last time the band will ever play together.


Note: Times shown in RED are sold-out.

Monday 06 Jul

 

NT Live: Everyman (Live)
Runtime:90mins       Rating:TBC

BAFTA winner and Academy Award® nominee Chiwetel Ejiofor (12 Years a Slave) takes the title role in this dynamic new production of one of English drama’s oldest plays, directed by the National Theatre’s new Director Rufus Norris (Broken, London Road). Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.


Note: Times shown in RED are sold-out.

Thursday 16 Jul

 

André Rieu's 2015 Maastricht Concert (As Live)
Runtime:180mins       Rating:12A

Affectionately known as "The King of Waltz", André performs a series of concerts in his hometown of Maastricht, in The Netherlands every year. The concerts are performed in front of thousands of fans and are set amongst the beautiful medieval backdrop of his beautiful home town of Maastricht. As always, André is joined by his famous Johann Strauss Orchestra, his Soprano's, Tenors and some very special guests. The Maastricht concerts are André's most popular concerts of the year with his most dedicated fans flying from all over the world to see this incredible event live. The Maastricht concerts are so special and so unique with the atmosphere in the town square heightened by both the enormous crowds and the many restaurants lining the square, who all take part in this magnificent event. When asked if André had a message for his fans around the world, he said: “If you can’t join us in Maastricht, we will come to you. It is going to be a magical event with some very special guests. Come and enjoy the music on the big screen in the comfort of your local cinema." 2015 is shaping up to be his biggest and most spectacular concert ever to be screened in cinemas. As always, CinemaLive’s programme will feature a host, who will introduce the show as well as conduct an interview with André the moment he steps off stage, exclusively for cinema audiences.


Note: Times shown in RED are sold-out.

Saturday 18 Jul

 

RSC: The Merchant of Venice
Runtime:0mins       Rating:LIVE

In the melting pot of Venice, trade is God. With its ships plying the globe, the city opens its arms to all, as long as they come prepared to do business and there is profit to be made. With the gold flowing all is well, but when a contract between Bassanio and Shylock is broken, simmering racial tensions boil over. A wronged father, and despised outsider, Shylock looks to exact the ultimate price for a deal sealed in blood. Polly Findlay (Arden of Faversham 2014) directs Shakespeare's uncompromising tragedy.


Note: Times shown in RED are sold-out.

Wednesday 22 Jul

 

RSC: Othello
Runtime:1mins       Rating:LIVE

Othello is the greatest general of his age. A fearsome warrior, loving husband and revered defender of Venice against its enemies. But he is also an outsider whose victories have created enemies of his own, men driven by prejudice and jealousy to destroy him. As they plot in the shadows, Othello realises too late that the greatest danger lies not in the hatred of others, but his own fragile and destructive pride. After more than a decade working in film and television on projects from Star Wars to Holby City, Hugh Quarshie returns to the RSC to play Shakespeare's Othello. He was last seen with us in Faust and Julius Caesar (1996). Hugh will play opposite Lucian Msamati in the role of Iago, returning to the RSC following his role as Pericles in 2006. The production is directed by Iqbal Khan (Much Ado About Nothing, 2012).


Note: Times shown in RED are sold-out.

Wednesday 26 Aug

 

NT Live: The Beaux' Stratagem (Live)
Runtime:180mins       Rating:LIVE

Simon Godwin (Man and Superman) directs George Farquhar's wild comedy of love and cash.
The 'Beaux': Mr Aimwell and Mr Archer, two charming, dissolute young men who have blown their fortunes in giddy London. Shamed and debt-ridden, they flee to provincial Lichfield. Their 'Stratagem': to marry for money. Lodged at the local inn, posing as master and servant, they encounter a teeming variety of human obstacles: a crooked landlord, a fearsome highwayman, a fervent French Count, a maid on the make, a drunken husband, a furious butler, a natural healer and a strange, turbulent priest. But their greatest obstacle is love. When the Beaux meet their match in Dorinda and Mrs Sullen they are most at risk, for in love they might be truly discovered.


Note: Times shown in RED are sold-out.

Thursday 03 Sep

 

Aida on Sydney Harbour
Runtime:160mins       Rating:LIVE

In Aida, Verdi masterfully puts the intimate affairs of the heart against the grandeur of the universe: where kingdoms rise and fall and the sands of time grind onwards.
There could be no grander setting for such an opera than Sydney Harbour itself, awash with the light of the city and the Sydney Opera House silhouetted against the setting sun.
Handa Opera on Sydney Harbour has become a huge part of the cultural landscape, combining all of the things Sydney does best: world-class opera, champagne and fine dining, sunsets and spectacle on the harbour's edge. It's a monumental undertaking, with a team of more than 700 people involved in the project before a single note is heard over the harbour.
Aida is the biggest opera they've ever performed on the opera stage. But amid all of the spectacle, the famous 'Triumphal March', battle scenes and ancient temples, there's an emotional heart.
Long after the fireworks have faded from the sky and Amneris sings her quiet, concluding prayer, you'll see the true mastery of this opera: it is at once an historic epic and an utterly relatable human tragedy.
Running time: Approximately 2 hours 25 minutes including a 15 minute interval.
Performed in Italian with English translations


Note: Times shown in RED are sold-out.

Tuesday 15 Sep

 

Royal Ballet: Romeo and Juliet (Live)
Runtime:180mins       Rating:LIVE

Kenneth MacMillan’s famous version of Shakespeare’s romantic tragedy set to Prokofiev's magnificent score returns to open the 2015/16 Royal Opera House Live Cinema Season. This Romeo and Juliet is rich in the swaggering colour of Verona street life and in sword fights and celebrations, but MacMillan’s focus is always on the complex emotions of the young lovers – especially on Juliet as she journeys through the delirious happiness of first love to a shocked, adult perception of her fate. Juliet is one of the most coveted of all ballerina roles, and as MacMillan’s ballet enters its 50th year it resonates as deeply with audiences today as when it was first seen half a century ago.


Note: Times shown in RED are sold-out.

Tuesday 22 Sep

 

Royal Opera: Le Nozze Di Figaro (Live)
Runtime:205mins       Rating:LIVE

Often considered a perfect opera, Le nozze di Figaro represents Mozart’s genius at its most lively and delightful. Based on a play that was originally banned for its political content, the fast-moving libretto creates realistic characters made even more human by Mozart’s outstanding music. David McVicar’s popular staging of this comedy returns in the hands of the leading British conductor Ivor Bolton. The cast is led by the star bass Erwin Schrott, who has sung the role to great acclaim at Covent Garden before, partnered with star Romanian soprano Anita Hartig in the role of Susanna.


Note: Times shown in RED are sold-out.

Monday 05 Oct

 

The Importance of Being Earnest (Live)
Runtime:150mins       Rating:LIVE

Don’t miss celebrated actor and Poirot star David Suchet as the formidable Lady Bracknell in Oscar Wilde’s much loved masterpiece The Importance of Being Earnest, which is being broadcast LIVE to cinemas from London’s Vaudeville Theatre on 8 October 2015. Directed by Adrian Noble (Amadeus, The King’s Speech, Chitty Chitty Bang Bang), Wilde’s superb satire on Victorian manners is one of the funniest plays in the English language – the delightful repartee and hilarious piercing of hypocrisy and pomposity will make you laugh out loud!
Two bachelor friends, the adorable dandy Algernon Moncrieff (Philip Cumbus – regular player at Shakespeare’s Globe) and the utterly reliable John Worthing J.P., (Downton Abbey’s Michael Benz) lead double lives to court the attentions of the exquisitely desirable Gwendolyn Fairfax (Emily Barber) and Cecily Cardew (Imogen Doel). The gallants must then grapple with the riotous consequences of their deceptions – and with the formidable Lady Bracknell.


Note: Times shown in RED are sold-out.

Thursday 08 Oct

 

NT Live: The Beaux' Stratagem (Live)
Runtime:180mins       Rating:LIVE

Simon Godwin (Man and Superman) directs George Farquhar's wild comedy of love and cash.
The 'Beaux': Mr Aimwell and Mr Archer, two charming, dissolute young men who have blown their fortunes in giddy London. Shamed and debt-ridden, they flee to provincial Lichfield. Their 'Stratagem': to marry for money. Lodged at the local inn, posing as master and servant, they encounter a teeming variety of human obstacles: a crooked landlord, a fearsome highwayman, a fervent French Count, a maid on the make, a drunken husband, a furious butler, a natural healer and a strange, turbulent priest. But their greatest obstacle is love. When the Beaux meet their match in Dorinda and Mrs Sullen they are most at risk, for in love they might be truly discovered.


Note: Times shown in RED are sold-out.

Thursday 03 Sep

 

NT Live: Hamlet
Runtime:240mins       Rating:LIVE

Academy Award® nominee Benedict Cumberbatch (BBC’s Sherlock, The Imitation Game, Frankenstein at the National Theatre) takes on the title role of Shakespeare’s great tragedy. Directed by Lyndsey Turner (Posh, Chimerica) and produced by Sonia Friedman Productions, National Theatre Live will broadcast this eagerly awaited production live to cinemas. As a country arms itself for war, a family tears itself apart. Forced to avenge his father’s death but paralysed by the task ahead, Hamlet rages against the impossibility of his predicament, threatening both his sanity and the security of the state.


Note: Times shown in RED are sold-out.

Thursday 15 Oct

 

RSC: Henry V (Live)
Runtime:0mins       Rating:TBC

Henry IV is dead and Hal is King. With England in a state of unrest, he must leave his rebellious youth behind, striving to gain the respect of his nobility and people.

Laying claim to parts of France and following an insult from the French Dauphin, Henry gathers his troops and prepares for a war that he hopes will unite his country.

RSC Artistic Director Gregory Doran continues his exploration of Shakespeare’s History Plays with Henry V performed in the 600th anniversary year of the Battle of Agincourt. Following his performance as Hal in Henry IV Parts I & II Alex Hassell returns as Henry V.

Henry V will be broadcast Live from Stratford-upon-Avon by the Royal Shakespeare Company on Wednesday 21 October, the same week as the anniversary of the Battle of Agincourt.


Note: Times shown in RED are sold-out.

Wednesday 21 Oct

 

Royal Ballet: Carmen / Viscera / Afternoon of a Faun / Tchaikovsky Pas de Deux (Live)
Runtime:0mins       Rating:LIVE

Enjoy four short ballets in one evening with this quadruple programme from The Royal Ballet.
Carlos Acosta focuses on the dramatic essentials of love, jealousy and revenge in his new production of Carmen. As well as choreographing the production, Acosta will dance the lead role.
Liam Scarlett has used Lowell Liebermann’s thrilling Piano Concerto No.1 as the inspiration for his similarly audacious choreography in Viscera.
Debussy’s evocative score is the inspiration for Jerome Robbins’s Afternoon of a Faun, which depicts two ballet dancers as absorbed by their own reflections as they are attracted to each other.
George Balanchine’s Tchaikovsky pas de deux uses a fragment of music composed for the 1877 production of Swan Lake for an eight-minute display of ballet bravura and technique.


Note: Times shown in RED are sold-out.

Thursday 12 Nov

NT Live: Coriolanus (Encore)
Runtime:180mins       Rating:LIVE

National Theatre Live’s 2013 broadcast of the Donmar Warehouse’s production of Coriolanus returns to cinemas by popular demand. Shakespeare’s searing tragedy of political manipulation and revenge, Coriolanus features an Evening Standard Award-winning performance from Tom Hiddleston (The Avengers, War Horse (film), BBC's The Hollow Crown) in the title role, directed by the Donmar's Artistic Director Josie Rourke. The full company includes Jacqueline Boatswain, Peter De Jersey, Alfred Enoch, Deborah Findlay, Hadley Fraser, Mark Gatiss, Birgitte Hjort Sørensen, Elliot Levey, Rochenda Sandall, Helen Schlesinger, Mark Stanley and Dwane Walcott. When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.


Note: Times shown in RED are sold-out.

Thursday 12 Nov

 

Royal Opera: Cavalleria Rusticana / Pagliacci (Live)
Runtime:180mins       Rating:LIVE

These two short Italian operas are each regarded as the composers’ masterpiece, and are brought together in a new staging by award-winning director Damiano Michieletto, who sets both operas in a poverty stricken village in 1980s southern Italy, where the Mafia has a hold. The Royal Opera’s Music Director Antonio Pappano conducts a cast that includes charismatic Dutch soprano Eva-Maria Westbroek, exciting Italian soprano Carmen Giannattasio and the thrilling Latvian tenor Aleksandrs Antonenko.


Note: Times shown in RED are sold-out.

Thursday 10 Dec

 

Royal Ballet: The Nutcracker (Live)
Runtime:135mins       Rating:LIVE

Christmas simply wouldn't be Christmas without The Royal Ballet’s classic production of The Nutcracker. Loosely based on a story by E.T.A. Hoffmann, it opens with the Christmas festivities of little Clara and her family and progresses through a sequence of dreams and enchantments that take Clara on her magical journey to the Land of Snow and the Kingdom of the Sweets. Peter Wright’s enchanting production with its wondrously growing Christmas tree and a rousing battle between the villainous Mouse King and an army of toy soldiers, mines the colour of Tchaikovsky’s score, retaining exquisite surviving fragments of the original Ivanov choreography, including the beautiful pas de deux for the Sugar Plum Fairy and her Cavalier.


Note: Times shown in RED are sold-out.

Wednesday 16 Dec

 

Royal Ballet: Rhapsody/Two Pigeons (Live)
Runtime:0mins       Rating:LIVE

This delightful Frederick Ashton double bill opens with his setting of Rachmaninoff's Rhapsody on a Theme of Paganini, using the music’s dark turbulence and brilliance to inspire some of his most thrilling choreography. Witty, impassioned and sublime this ballet was the pinnacle of Ashton’s romantic style.
The second half of the programme features Ashton’s delicate, deceptively comic The Two Pigeons - a work rarely performed and a real treat for ballet fans everywhere.


Note: Times shown in RED are sold-out.

Tuesday 26 Jan

 

Royal Opera: La Traviata (Live)
Runtime:190mins       Rating:LIVE

La traviata is regarded as one of Verdi’s finest operas, and Richard Eyre’s traditional staging, is one of The Royal Opera’s most popular productions. The opera tells the story of the Parisian courtesan Violetta Valéry, one of opera’s greatest heroines, based on the reallife courtesan Marie Duplessis, who died in 1847 aged just 23. In this revival, Violetta is sung by Russian soprano Venera Gimadieva in her debut with The Royal Opera, following her successful appearance as Violetta at the Glyndebourne Festival.


Note: Times shown in RED are sold-out.

Thursday 04 Feb

 

Royal Opera: Boris Gudunov (Live)
Runtime:180mins       Rating:LIVE

Richard Jones and Antonio Pappano renew their creative collaboration with this new production of Musorgsky’s historical masterpiece, here seen in its compact 1869 first version in seven scenes. The originality of the composer’s vision of Pushkin’s play about Tsar Boris Godunov – who reigned over Russia between 1598 and 1605 – was too much for the management of the Imperial Theatres, who demanded changes that were incorporated in the second version of the opera, in which Boris finally had its premiere in 1874. Many commentators, nevertheless, prefer the integrity of the original, which makes few concessions to operatic conventions. Keenly awaited will be Bryn Terfel’s assumption of the title role – one of the most complex characters in opera – while John Graham-Hall appears as the crafty Prince Shuisky and John Tomlinson as the vagabond monk Varlaam.


Note: Times shown in RED are sold-out.

Monday 21 Mar

 

Royal Ballet: Giselle (Live)
Runtime:135mins       Rating:LIVE

Giselle is the quintessential Romantic classic, a love affair that begins in the real world and continues beyond the grave. The ballet’s title role also offers one of the great challenges of the ballet repertory, as Giselle transforms from an innocent peasant girl, duped into love, to a forgiving spirit who saves her lover from death. For the ballerina this is a role of two contrasting halves: in Act I she must appear naïve and artless, her dancing alive with an earthy enthusiasm; in Act II she transforms into light and air, her dancing so ethereal as to seem weightless. In Peter Wright’s production, the dual aspect of the ballet is perfectly achieved: the first act dramatized in rich, naturalistic detail and the second with a spectral, moonlit beauty.


Note: Times shown in RED are sold-out.

Wednesday 06 Apr

 

Royal Opera: Lucia Di Lammermoor (Live)
Runtime:170mins       Rating:LIVE

Lucia di Lammermoor tells the story of an ongoing feud between two families in 17th century Scotland that has terrible consequences for two young lovers... It contains what is undoubtedly one of opera’s most poignant and gripping mad scenes, and is regarded as one of Donizetti’s finest works. The opera has not been seen at the Royal Opera House in more than a decade, so this new production by Katie Mitchell will be a particularly important and exciting event. The title role will be sung by Diana Damrau, an expert in the coloratura repertory, while American tenor Charles Castronovo takes on that of her secret lover, the reckless and passionate Edgardo.


Note: Times shown in RED are sold-out.

Monday 25 Apr

 

Royal Ballet: Frankenstein (Live)
Runtime:0mins       Rating:LIVE

Royal Ballet Artist in Residence Liam Scarlett has chosen Mary Shelley’s gothic classic Frankenstein as the basis for his first full-length narrative ballet for the Covent Garden Main Stage. A story of betrayal, curiosity, life, death and, above all, love, it inspires Scarlett to explore the very depths of human nature and our need to find acceptance and a place in the world.
For this exciting new ballet Scarlett returns to the music of Lowell Liebermann, from whom he has commissioned a brand new score.


Note: Times shown in RED are sold-out.

Wednesday 18 May

 

Royal Opera: Werther (Live)
Runtime:180mins       Rating:LIVE

Based on Goethe’s novel The Sorrows of Young Werther, Massenet's opera tells the story of the poet Werther’s hopeless love for Charlotte, who is committed to another man... The music is full of lyrical beauty, passion and emotional fervour, – small wonder that Werther is often considered to be the composer’s finest work. The Royal Opera’s Music Director Antonio Pappano returns to conduct film, theatre and opera director Benoît Jacquot's classic production. Italian tenor Vittorio Grigolo stars as Werther, alongside Joyce DiDonato, who sings her first Charlotte (one of the great French mezzo roles) in this staging.


Note: Times shown in RED are sold-out.

Sunday 26 Jun

 

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